But, as usual, I'm basically letting the movie stand on its own. In terms of visual detail, this has to one of the best movies ever made. You're convinced that this is exactly what Jackson, Mississippi was like in The middle-class parts of that city were pretty much like the rest of the country, except for three significant details. So the white women, like their more aristocratic ancestors, didn't have to work.
And there was extreme racial segregation, segregation that was, you might say, still in the process of being perfected. The middle-class white women are so horrible you start to feel sorry for them. Their lives are pointless.
So their lives are consumed by obsession with trivial pursuits—bridge clubs and stuff like that—and petty distinctions. The film has the appropriate moments when nature gets her revenge for their self-denial, but their response is usually more blind anger than tears of recognition.
Surely the evildoing ugliness of these female, middle-class lives is exaggerated, and the two most prominent of these women in the film are presented as extreme cases. What drives the movie, more than anything else, is animosity against their kind. The one pleasure of these white women, it seems, is tyrannizing over the woman who actually does work and love in their homes.
They are utterly repulsed by physical contact with blacks, and their concern with hygiene reflected in an intensifying effort to make sure the races use separate bathrooms is really a desire to have no emotional connection with those over whom they rule without limits. What's especially striking is the utter lack of gratitude of the white women for what they have, for all the help they have received. They remind us TV fans of Betty Draper on Mad Men , who also coldly dismissed the black woman she had hired to take care of her children over some imagined affront.
But in New York, after all, there was no legal segregation, and African Americans were fully protected by the law. They were eligible for government benefits. So the godless coldness of early Sixties segregation made the lives of "the help" particularly precarious; they were almost completely subject to the whim of tyrants—tyrants who had no real class at all.
Their material situation was not horrible. As long as they worked, they ate; they had their own very modest homes, and so forth.
And it's not like they were being worked to death as slaves sometimes were. The upside of middle-class life is that people work for themselves, the downside is that the relations among employer and employee becomes more all about the cash at expense of any sense of personal responsibility or affection.
Life in middle-class Mississippi was all about the downside in the absence of the upside. There's little evidence among the middle-class white women of the aristocratic virtue of generosity or magnanimity or the Christian virtue of charity, especially when it comes to "the help.
We sometimes read the relations between the races were more more easy and familiar in the South than in the North, because the lives of blacks and whites were intertwined. There was amazingly little freedom of speech in Misssippi at this time. We learn that speaking against segregation was actually a crime, and nobody even the two admirable, privileged, smart young white people was doing it.
So the least we can say is that the federal government was way too slow in intervening in Mississippi, because things weren't getting better "on their own.
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In five pages this paper examines the rhetoric and reality of the Vietnam War within the contexts of the book Hollywood's Vietnam In twelve pages this paper examines traditional film methods and the increased reliance upon digital technology in a contrast and As America has evolved from an untamed wilderness into a settled country what it has meant to be a man in America has also changed Synopsis Set in the 21st century, Gattaca gives one perspective of what the future of discrimination is to become: Roy Batty and Deckard are both able to show us what it means to be human.
To what extent do you agree? Through Blade Runner, w What is that interpretation The film is set in , the third year of war between England and France for the possession of the continent. The center of the s In his opening pages, Cavell tells us that when he was writing The World Viewed he felt he was writing a "metaphysical memoir" of I found both of these fi Analysis on Lighting Aspects Although l Coppola and John Milius wrote the screenplay.
Refer to at least four films. The American Dream is an often m American Beauty tells the story of one man's search for happiness. The film introduces the audience to Lester Burnham, an ordinary Life is Beautiful Roberto Benigni's moving film, Life is Beautiful, is a film that is set in a concentration camp and combines On the surface, it deals with the worn out issue of the intermingling of life
Example of body paragraphs for a movie analysis essay Paragraph one ‘The Blindside’ is a slightly biographical movie about Michael Oher, a man who beat the odds to reach the position he is in now, in the football team.
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